Edge Radio 99.3FM - Hobart Independent Youth Radio
[An On Air Now widget supplied by Amrap is inserted here]
­
Edge Radio 99.3FM - Hobart Independent Youth Radio
  • News
    • Station
  • Program Guide
  • Music
    • Edge Radio Recommended
    • Submit Your Music
    • Playlists
  • Projects
    • Hugh Burridge Award
    • Winners | Hugh Burridge Award
    • Youth Media Training
    • Creatively Mental
    • The Good, The Bad and The Ugly
    • X-Press Radio
    • Rivendell on Raspberry Pi
  • Get Involved
    • Volunteer
    • Training
    • Apply For A Program
    • Membership
  • Support Us
    • Support Edge Radio
    • FUNDRAISING >
      • The Unprecedented Fundraiser
      • Sweet 16
    • Become A Subscriber
    • DONATE
    • Sponsorship
    • BEQUESTS
  • About
    • Our Mission
    • Committee of Management
    • FAQ
    • Contact Edge
    • Find Edge
  • News
    • Station
  • Program Guide
  • Music
    • Edge Radio Recommended
    • Submit Your Music
    • Playlists
  • Projects
    • Hugh Burridge Award
    • Winners | Hugh Burridge Award
    • Youth Media Training
    • Creatively Mental
    • The Good, The Bad and The Ugly
    • X-Press Radio
    • Rivendell on Raspberry Pi
  • Get Involved
    • Volunteer
    • Training
    • Apply For A Program
    • Membership
  • Support Us
    • Support Edge Radio
    • FUNDRAISING >
      • The Unprecedented Fundraiser
      • Sweet 16
    • Become A Subscriber
    • DONATE
    • Sponsorship
    • BEQUESTS
  • About
    • Our Mission
    • Committee of Management
    • FAQ
    • Contact Edge
    • Find Edge

EDGE RADIO RECOMMENDED: Paper Souls - 'The Great And The Grieving'

30/11/2020

 
Picture
Paper Souls have released their long-awaited debut album, The Great And The Grieving, a labour of love that follows on from their 2 previous EP releases, 2014's Paper Souls, and 2015's Forever, Always.

The Great And The Grieving is a collection of songs showcasing their dynamic alt rock style of song writing.

The album draws from the darker side of life, but manages to inspire a sense of hope and triumph throughout.

The album was recorded, engineered and mixed by frontman Luke Triffitt at Valley Sounds, in Launceston, Tasmania.

Paper Souls are Luke Triffitt, Sarah Triffitt, Josef Bound, Tom Harvey and Angus Austin.

Release: November 7th, 2020, Independent

Edge radio recommended: Lewis Coleman - 'Method Of Places'

23/11/2020

 
Picture
Method of Places is the beguiling debut album from Lewis Coleman, and an encapsulation of the depth and artistry of the Melbourne musician.


The fruits of Lewis’s labour are on brilliant display on Method of Places. It’s an album which effortlessly straddles the worlds of indie rock, electronica, jazz and soul, bristling with big ideas and artfully arranged songs that are both abstract and melodic, shifting and morphing around you, pulsing with a hushed intensity, but always grounded by a rhythm section so spartanly groovy that your head can’t help but nod along in assent. 

Written, played and self-produced across five years, in five bedrooms, the record has a big kind of history in it, both sonically and lyrically. Ask Coleman and he’ll unassumingly tell you that for him each song is a micro-world containing multiple moments in time, each one swimming with memories and pieces of himself that span the last half-decade. “Some of these songs have like a 21-year-old version of me playing bass, and like a 22-year-old version of me playing the guitar line and a 24-year-old version of me singing vocals and a 26-year-old version of me adding some other elements to it,” he says. “And I hear it and I can kind of remember where I was at those times in those songs.”


In ‘Good Side’ he is a 15-year-old kid in Year 9, trying on corduroy pants at Savers (Melbourne’s much-loved Mecca for secondhand clothes), developing a personality, finding friends, having crushes. In ‘Going Your Way’ he’s six wines in, a piano stool creaking beneath him as he idly plays the keys. In ‘Is This Me Now’ he’s accidentally out of his mind on hallucinogens, as synths warp and crash around his distant voice, convinced he’s broken his brain forever.  When taken as a whole, Method of Places becomes a history of his young adulthood up till now. A Memory Palace, where all the songs are different rooms, co-existing under the album’s roof.


While recording the album in his bedroom wasn’t so much a “cool” choice (“It was more about convenience to me,” he says), it did help him capture that real, lived-in warmth. Listening closely, you can hear a lot of ambient sounds left in the mix. “I love being able to hear a room or physical space someone’s in at a time, not just a complete artificial reverb world. A phone turning off or getting moved, a piano stool creaking, when you can actually hear those kinds of things, it makes it more of a visceral experience.” 

It’s these kinds of details that give the impression of Coleman physically moving around inside the album, his Memory Palace. But while the album is often introspective, Coleman doesn’t want it to feel exclusive, but rather inviting to the listener. “I really hope it isn’t something that’s just in my brain that no one can connect to,” he says. “I would love it to be a world that other people can exist in as well.”


Release: November 20th, 2020, Ivy League Records
Words: Ivy League/Mushroom

EDGE RADIO RECOMMENDED: Oneohtrix Point Never - 'Magic Oneohtrix Point Never'

16/11/2020

 
Picture
Daniel Lopatin's name has become synonymous with era-defining art. At the end of 2019 Lopatin soundtracked one of the most unanimously critically acclaimed film scores of recent history, an anxiety-driven joyride paired to the Safdie Brothers’ noir thriller Uncut Gems - cult studio A24’s biggest commercial film to date.

Magic Oneohtrix Point Never is a truly career-defining release for Oneohtrix Point Never. The eponymous title is taken from Lopatin’s original Oneohtrix Point Never moniker - a misheard play on the Boston soft-rock radio station Magic 106.7

Sonically, Magic Oneohtrix Point Never takes is an amagamation of OPN’s output of the last 10-12 years. From the deconstructed New Age plunderphonics of Replica and R Plus Seven, to the alt-rock and chamber pop songwriting of Garden Of Delete and Age Of and the symphonic, cinematic nature of the scores for Uncut Gems, Good Time and his production work for other artists.  Magic Oneohtrix Point Never synthesizes all elements of his previous material to craft a cohesive humanistic masterwork, rendering the self-titling of the album as much a reference to his roots as to his entrenchment in the present moment.

An eponymous album is a symbolic highlight in an artist’s career. Though often reserved for the beginning of a catalogue, the tradition has also been evoked to designate a celebratory body of work that looks back and epitomizes a defining cultural moment. Oneohtrix Point Never categorically challenges most standard notions of linear thinking in music, constantly shifting within traditional paradigms, unwinding and re-weaving digital sensory triggers into contemporary sonatas. 

Release: October 30th, 2020, Warp Records/Inertia Music
Words: Inertia

EDGE RADIO RECOMMENDED: Gregor - 'Destiny'

9/11/2020

 
Picture
Destiny is the second album by Melbourne prog-pop eccentric Gregor. It takes the spacious, inquisitive pop of his acclaimed debut Silver Drop and puts it through a warped filter.

Destiny is a lovesick epic, filled with melodies turning obsessive, lines repeating until they become mantras, and production expanding logarithmically. Beginning with the gentle beauty of The Rock (and the Stars), the album grows progressively haunted, with images reflecting and refracting until Gregor's much-loved bedroom pop is completely reimagined.

Destiny is a post-modern take on the concept album, sifting through every example from Dark Side of the Moon to My Beautiful Dark Twisted Fantasy to create something wholly new.

In 2018, the spacious, acerbic pop of Silver Drop introduced Gregor to the wider world. Touching single A Song About Holding Hands has become a global couple’s favourite, and Gregor sold out every headline show he played through 2018 and 19. Silver Drop was album of the week across Australian community radio, and Gregor was nominated for Best Album and Best Solo Artist in the 2019 Music Victoria Awards.

Gregor plays bass in Laura Jean’s live band and sings backup on Sweet Whirl’s recent album How Much Works. With a live band of up to nine people, Gregor has played festivals such as Golden Plains, Dark Mofo, Camp Doogs, Boogie Festival, Something Unlimited and The Others Way (NZ).

Release: November 13th, Chapter Music
​Words: Chapter Music

EDGE RADIO RECOMMENDED: Loma - 'Don't Shy Away'

2/11/2020

 
Picture
On December 26th, 2018, Emily Cross received an excited email from a friend: Brian Eno was talking about her band on BBC radio. “At first I didn’t think it was real,” she admits. But then she heard a recording: Eno was praising “Black Willow” from Loma’s self-titled debut; he said he’d had it on repeat.


At the time, a second Loma album seemed unlikely. The band began as a serendipitous collaboration between Cross, the multi-talented musician and recording engineer Dan Duszynski, and Shearwater frontman Jonathan Meiburg, who wanted to play a supporting role after years at the microphone. They’d capped a gruelling tour with a standout performance on a packed beach at Sub Pop’s SPF 30 festival, in which Cross leapt into the crowd, and then into the sea, while the band carried on from the stage—an emotional peak that also felt like a natural ending. “It was the biggest audience we’d ever had,” she says. “We thought, why not stop here?”   


Following the tour, Cross went to rural Mexico to work on visual art and a solo record, while Meiburg began a new Shearwater effort. But after a few months apart (and Eno’s encouraging words), the trio changed their minds and reconvened at Duszynski’s home in rural Texas, where they began to develop songs that would become Don’t Shy Away. Loma writes by consensus, and though Cross is always the singer, she, Duszynski and Meiburg often trade instruments.  Meiburg compares their process to using a ouija board, and says the songs revealed themselves slowly, over many months. “Each of us is a very strong flavour,” he says, “but in Loma, nobody wears the crown, so we have to trust each other—and we end up in places none of us would have gone on our own. I think we all wanted to experience that again.” The album that emerged is gently spectacular—a vivid work whose light touch belies its timely themes of solitude, impermanence, and finding light in deep darkness.

Release: October 23rd, 2020, Sub Pop
Words: Sub Pop

    Archives

    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    October 2016

    Categories

    All
    Edge Radio Recommended
    Music
    NLMAs
    Station

    RSS Feed

HOME / PRIVACY POLICY / FAQ / CONTACT

  Edge Radio 99.3FM is proudly supported by these organisations

Picture
Picture
Picture
All content © 2020 Edge Radio 99.3FM except where otherwise stated
Website by Community Broadcasting Association of Australia