The inspiration - or, rather, frustration - for Wax Chattels' cathartic sophomore album, Clot, came from the doomy, gloomy corners of Auckland’s underbelly, and the theme of confrontation is central. The band's capacity for self-awareness is what makes Wax Chattels one of New Zealand’s most treasured independent exports.
After a knock-out entrée with 2018’s self-titled LP, the anticipation surrounding Clot has been immense. Much like Wax Chattels, the writing process for Clot took the best part of a year. While some songs were written on the road, the bulk of the album was workshopped throughout 2019 across bedrooms and storage containers. Wax Chattels maintained the use of only the barest of ingredients — bass guitar, keyboard, and a two-piece drum kit — but the group spent more time experimenting with and finding new sounds. They wanted to maintain the same live element as in their debut, but, this time, heavier — for which they enlisted the help of mixing engineer, and fellow noise-maker, Ben Greenberg (Uniform, Destruction Unit, The Men). A marked step-up, this new record keeps the visceral energy of the debut, only this time they dig deeper into cathartic noise.
It is universally agreed that Wax Chattels are a must-see live act; their hypnotically sinister debut captured this perfectly. Released in 2018 and supported by relentless touring, the album’s success at home and abroad led to the well-deserved nomination of Best Alternative Artist at the 2018 New Zealand Music Awards, as well as the band’s inclusion in the coveted shortlist of finalists for the Taite Music Prize and Auckland Live Best Independent Debut Award.
Release: September 25, 2020, Captured Tracks/Flying Nun
Words: Deathproof PR
After a knock-out entrée with 2018’s self-titled LP, the anticipation surrounding Clot has been immense. Much like Wax Chattels, the writing process for Clot took the best part of a year. While some songs were written on the road, the bulk of the album was workshopped throughout 2019 across bedrooms and storage containers. Wax Chattels maintained the use of only the barest of ingredients — bass guitar, keyboard, and a two-piece drum kit — but the group spent more time experimenting with and finding new sounds. They wanted to maintain the same live element as in their debut, but, this time, heavier — for which they enlisted the help of mixing engineer, and fellow noise-maker, Ben Greenberg (Uniform, Destruction Unit, The Men). A marked step-up, this new record keeps the visceral energy of the debut, only this time they dig deeper into cathartic noise.
It is universally agreed that Wax Chattels are a must-see live act; their hypnotically sinister debut captured this perfectly. Released in 2018 and supported by relentless touring, the album’s success at home and abroad led to the well-deserved nomination of Best Alternative Artist at the 2018 New Zealand Music Awards, as well as the band’s inclusion in the coveted shortlist of finalists for the Taite Music Prize and Auckland Live Best Independent Debut Award.
Release: September 25, 2020, Captured Tracks/Flying Nun
Words: Deathproof PR
RSS Feed
